A writer asks about what concept to bring forward in the Concept, Logline, Pitch Workshop this weekend (8/9/14). She has several novels in-progress and complete (are our stories ever really complete? The longer we take to finish, the more time we have to grow and change which ultimately servers to deepen and enrich our work).
Her heart’s desire speaks of something else entirely.
I explain about Saturday’s workshop, you’ll have 5 minutes in the morning and 5 minutes in the afternoon. You want to have a concept ready to go (watch the free Video #1and also helpful is Video #3 in PlotWriMo: Revise Your Novel in a Month video series) so you can spend as much of the time allotted to you listening to Jill’s feedback without feeling the need to defend yourself — simply to listen and absorb what she says. She’s really quite amazing at this.
You’ll be listening to so many other pitches that you’ll begin to glean the method to creating them. So, I don’t think it matters which story you pick as much as really perfecting your concept before pitching it to Jill Saturday.
About choosing which story to pitch, I share a painful learning experience from some pretty nasty reviews on Amazon for the Plot Whisperer: Secrets of Story Structure Any Writer Can Masterbook. You have to buck up and take it when you write outside the norm. I actually wasn’t prepared for some of the more personal attacks and the lesson has been a tough one and very valuable for me to learn.
If we let our fear of exposure limit us and we back down, new ideas can’t take flight. If not by you, the story goes unwritten.
A compelling concept elicits from your friends, readers, agents, editors, reviewers, audiences and fans: Tell me more!
Today I write.
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For more: Read my Plot Whisperer and Blockbuster Plots books for writers.
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- Looking for tips to prop up your middle with excitement?
- Wish you understood how to show don’t tell what your character is feeling?
- Are even you sometimes bored with your own story?
- Long to form your concept into words?
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