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Blah Protagonist

Character makes the story. Character draws us into the story. The reader and the audience have to like the characters before they will commit to the story.

A blah protagonist, passive, and pretty quiet (like writers often tend to be) makes for a blah, passive, quiet story.

To spice up the protagonist, give her a goal. The goal has to be specific and quantifiable. Gets her moving. Gets the story moving.

Give her something to do.

Start the story with a dramatic question:

Is she going to… or not? Will he…. or not? Did they… or not?

She takes steps necessary to answer the question.

A concrete goal gives protagonist action so the reader can react to what the character does rather than merely follow her internal monologue.

Get her moving. Let her actions define her.

Cut all flashbacks.

For more on goal setting:

  • read my article in the March ’10 issue of The Writer (on book stands mid-Feb.)
  • Dreams versus Goals

Written by:
Martha Alderson
Published on:
January 13, 2010
Thoughts:
1 Comment

Categories: active protagonist, Character Emotional Development, dramatic question, flashbacks

Reader Interactions

Comments

  1. Kendra Bonnett

    January 22, 2010 at 12:15 pm

    Hi Martha,

    I agree. Blah is…well, it's blah. I like your ideas for getting her moving and engaged in the story. Just one thing, though, and I'd be interested in your response: activity becomes action for action's sake if we don't understand (or believe) the character's motivation.

    I've been enjoying reading your posts! Kendra

    Reply

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