I appreciate that not everyone writes to be read. Writers who say they write for themselves may or may not mean that the writer does not care about the reader, but that the reader does not dictate the story, the writer does.
For writers who want to be read by the mainstream reading public (whoever that is), don’t let words get in the way of meaning.
A writer recounts an exciting, well-thought out Dramatic Action plotline (he has entirely ignored the Character Development plotline for now and whatever deeper meaning the story has is yet untapped). I do not read the words. I listen for the structure and plot. I have no idea of the writer’s writing, not even the story’s true point-of-view. Today, during the story recounting, the writer’s words got in the way of a truly exciting Climax.
Too florid, they clouded comprehension. Granted, he was reading summaries of scenes, but still, his “voice” seemed stilted and the words themselves demanded individual attention.
The actual Dramatic Action propels my mind to the next exciting moment. Skipping over complex details, I wait impatiently for the next scene. His tongue trips over the words. In the end, I am left wondering, huh?
I knew the writer knew; I had learned to trust him partway through The Middle. But besides rich and poetic words, he sprinkled his story with complext names. Without any Character Emotional Develpment with which to fix the characters by name, I had little to ground me. At the Climax, I found I had no idea of the villian slayed. The crowning glory of the story left in confusion.
Moral of the story with your reader in mind:
1.) Strive for meaning on the word, scene, and overall story level. Write the scenes moment-by-moment as clearly as possible as an invitation to the reader to sink deeper.
2.) Develop the character’s inner world as carefully as the outer one.
3.) Help the reader remember who goes with which name.
Anonymous
Hi, Martha! I’m thrilled to see that you’re blogging. I will be visiting often to pick up tips. Please blog a lot!
Anonymous
Martha, I absolutely agree with you. The conference was superb and the old elegance of the Mark Hopkins and the glittering blue skies of San Francisco added to the electricity in the air.
This was my first time there and the friendliness and helpful spirit of so many quickly eased my nervousness.
Through the SFWC I was recharged and given amunition to “move my work out from under the bed.”
Plot Whisperer
Hi Susan,
Thank you for your comments. I look forward to hearing your take on things again.
sincerely,
martha
Plot Whisperer
Dear Carol,
At 310 writers, the San Francisco Writers Conference has sold out each of the four years it has been in existence.
People came from other countries to attend.
To guarantee a spot at next year’s conference, sign up early. You save lots of money. But whatever you pay, the experience is well worth the price.
I’m glad we were together at the big event, Carol, but your final comment worries me ~ “move my work out from under the bed.” I thought you’d been hard at it all this time. No?
Great good luck,
fondly,
martha